Friday, 30 December 2011

Dreams of a Life, dir.Carol Morley‏


Dreams of a Life is a drama documentary about Joyce Vincent, who died aged 38 in her bedsit in London in 2003. Her body lay undiscovered for three years and the film raises's questions of how this could have happened. She was outgoing and vivacious, had friends and family but could apparently disappear and die without anyone noticing. The film interviewed friends who obviously cared for her but it also left some questions unanswered as she met some undesirable characters later in her life but they, unsurprisingly, refused to be interviewed.
 
The film asks some interesting and uncomfortable questions about a modern society in which something like this could happen but I got the impression that in this case it was more to do with the individual concerned than the lack of community in 21st century, social networked, Britain. She seemed to have a propensity to want to move on, leaving friends and family behind and she drifted in and out of peoples lives. I suppose that couldn’t have happened in a medieval village so in that sense it is a modern problem but lots of people like the possibility of being anonymous in the big city and, just trying to be positive about modern life for a moment, perhaps in the medieval village she might have been burned as a witch for being unusual.
 
A powerful, compelling and thought-provoking film.

Wednesday, 28 December 2011

Loughton Underground station

The main structure (ticket hall) of the station consists of a high, square block dominated by large arched windows and is a Grade II listed building.


However what I like about Loughton are the platforms which are graceful, gull-winged shaped reinforced canopies.

Tuesday, 27 December 2011

OMA/Progress - Barbican Centre

An exhibition of work by The Office of Metropolitan Architecture (OMA), architect Rem Koolhaas's company, curated by a Belgium collective called Rotor. Rotor were given full access to the OMA offices and used it to rifle through the bins for embarrassing correspondence and every single archived image of three million photos found on the office servers including the office party snaps. It makes for an interesting exhibition of the many proposals that OMA have made since they were founded in 1975. Some of the projects were buit and many weren't but all help to explain the OMA creative process.


Sunday, 25 December 2011

Christmas songs

Here at Kunst Towers we have spent a very productive time deciding our top 5 Xmas songs and also, probably more interestingly, an alternative top 5 of lesser known Christmas songs.

1. The Pogues & Kirsty McColl: Fairytale of New York http://www.youtube.com/watch?v=HwHyuraau4Q 
2. Bing Crosby & David Bowie: Peace on Earth/ Little Drummer Boy http://www.youtube.com/watch?v=ADbJLo4x-tk 
3.  John Lennon: Happy Christmas (War is Over) http://www.youtube.com/watch?v=yN4Uu0OlmTg  j
4. Saint Etienne featuring Tim Burgess: I was born on Christmas Day http://www.youtube.com/watch?v=4--Lkb_Oldo 
5. Jona Lewie: Stop the Cavalry http://www.youtube.com/watch?v=EOe18JcatZo 

1. Half Man Half Biscuit: All I want for Christmas is a Dukla Prague Away Kit http://www.youtube.com/watch?v=na12OyJEgJ8 
2. The Flaming Lips: Christmas at the Zoo http://www.youtube.com/watch?v=9QL5Jh9PfJ0 
4. The Fall: No Xmas for John Quays http://www.youtube.com/watch?v=WnthgtwQ-ok 
5. Fountains of Wayne: I Want an Alien for Christmas http://www.youtube.com/watch?v=gHWmhR3rD74  

Thursday, 22 December 2011

Hugo; dir.Martin Scorsese

Hugo is set in post First World War Paris about an orphan who lives in a railway station and has to steal to survive. A magical family film which pays homage to early cinema/ silent films it is another masterpiece by Scorsese although obviously in quite a different vein to my other favourites of his Goodfellas, Mean Streets and Taxi driver. There are many excellent performances, especially by the young duo Asa Butterfield as Hugo & Chloe Grace Moretz as Hugo's friend Isabelle. Sacha Baron Cohen is also good as a station inspector very reminissant of Clousseau.



Wednesday, 21 December 2011

Tatlin's Tower - Royal Academy of Arts

Tatlin’s Tower or The Monument to the Third International was envisioned by the Russian artist and architect Vladimir Tatlin, but never built. It was planned to be erected in Petrograd (now St. Petersburg) after the Bolshevik Revolution of 1917 and would have been higher than the Eiffel Tower. RAA has built a 1:42 scale model  in the courtyard in conjunction with the Building the Revolution exhibition (featured on 19 Dec).


Monday, 19 December 2011

Building the Revolution: Soviet Art and Architecture 1915-1935

Royal Academy of Arts

A small exhibition which includes constructionist paintings and drawings by Popova & Rodchecnko but they are over-shadowed by the photos of Richard Pare which make up at least half the exhibition. Pare spent 14 years looking for the most striking examples of constructivist architecture in Russia, Ukraine and Azerbaijan for his book 'Lost Vanguard: Russian Modernist Architecture 1922-1932. The photos are mostly from the 1990’s and draw the eye to them by the beauty of the photographs and their subject, the modernist buildings built in the years after the revolution. The Soviet State that emerged from the 1917 Russian Revolution needed new types of buildings: workers' clubs, schools, communal housing, sports facilities for the proletariat, factories and power stations to turn into reality the new socialist dreams of industrialisation, living quarters and offices for the new administration, working space for the secret police, etc.
The photos, however, also show the decay that has unfortunately befallen the buildings.
Richard Pare, Shábolovka's radio tower

Chekist Communal House
Dinamo Sports Club diving board

DneproGES: turbine room

Gosplan Garage, Moscow

Gosprom Building

 Konstantin Melnikov's house

Red Banner Textile Factory

Red Banner Textile Factory

 Water Tower for the Socialist City of Uralmash in Ekaterinburg, Russia

Sunday, 18 December 2011

Academy of St Martin in the Fields

A Little Night Music
Mozart Unwrapped, Kings Place, London
30 November 2011


We drifted towards the end of the year as we began it, namely, entranced by the genius of Mozart.  Having given over our house entirely to BBC Radio 3's exclusive scheduling of all the music Mozart composed over the first twelve days of 2011 ("Every Note He Wrote" - a bold, superb celebration of the life of one of the world's greatest ever composers), we booked into the Mozart Unwrapped series which has been running at Kings Place all year. 

This was a wonderful chamber orchestra performance by St Martin in the Fields, directed conductorless by Isabelle van Keulen from the first violin.  The discipline and sheer joy brought to bear on the music by the performers energised old favourites such as Eine Kleine Nachtmusik (Serenade in G, K525) and Symphony No 40 in G Minor (K550), and charmed us with the lesser known Sinfonia Concertante in E flat (K364), in which the sonorous tones of the solo viola combined beautifully with the lyrical solo violin. 

What was particularly noticeable about the performance was the energy, commitment and absolute enjoyment exhibited by the performers.  Exchanging smiles and glances, and in the absence of a conductor actively needing to stay in visual contact with each other, they communicated their love of this wonderful music easily and infectiously.

SB

Tuesday, 13 December 2011

Canada Water library, London, SE16

A new library, I thought we only had money for blowing things up these days, perhaps there is such a thing as society after all. A clever, counterintuative, building; it is an inverted pyramid, clad in bronzed aluminium, designed to enable a library to be built on a site too small for it. Therefore the books are upstairs, reached by a big, wooden, spiral staircase with a cafe on the ground floor.


Thursday, 8 December 2011

Biutiful, dir.Alejandro Gonzslez Inarritu

Biutiful was shown as Leytonstone Pop-Up cinema's December offering. The story of an underworld businessman, Uxbal, played by Javier Bardem, it is unrimittingly bleak throughout. Set in the run down parts of Barcelona, Uxbal moves among corrupt police, Chinese sweatshop owners and illegal African street hawkers. He also copes with his estranged wife's bipolar disorder, cares for his two children and has to deal with the fact that the heaters he procured to provide warmth for the Chinese illegal immigrants who live in an airless basement, were faulty and caused the death of 25. It really couldn't get any worse for poor old Uxbal...and then the doctor gives him the news that he has terminal cancer. Like I said, the film is unrimittingly bleak. Yet it is very enjoyable, full of compassion and human feeling, it grabs your attention and never lets go.

Tuesday, 6 December 2011

London Songs - Time Out online

Time Out magazine has compiled a list of 'The 100 Best London Songs' at the following link:
http://www.timeout.com/londonsongs.

A list is always good fun and there is some great music on there. It's hard to argue with The Kinks 'Waterloo Sunset' at no.1 but where is 'Down In a Tube Station at Midnight' by The Jam or The Clash's 'White Man in Hammersmith Palais'? ... and Barry Manilow as high as 95 - outrageous!

Saturday, 3 December 2011

Joyful Noise, dir.Todd Graff.

We went to a preview screening of Joyful Noise, a film due to be released in early 2012. I found it a bit predictable and not very funny although the music was good. Judging by the reaction of the rest of the audience they found it funnier than I did. I have copied the cast and plot from Wikipedia below.

Cast
Queen Latifah as Vi Rose Hill
Dolly Parton as G.G. Sparrow
Keke Palmer as Olivia Hill, Vi's daughter
Jeremy Jordan as Randy Garrity, Sparrow's grandson
Dexter Darden as Walter Hill
Courtney B. Vance as Pastor Dale
Kris Kristofferson as Bernard Sparrow
Teairra Monroe as Auburn Scott
Jesse L. Martin
Judd Lormand as Officer Darrel Lino
Francis Jue as Ang Hsu

After the untimely death of a small-town choir director (Kris Kristofferson) in Georgia, Vi Rose Hill, a no-nonsense single mother of two teens (Latifah) takes control of the choir, using the traditional Gospel style that their Pastor Dale (Courtney B. Vance) approves of. However, the director's widow, G.G. Sparrow (Parton), believes she should have been given the position. G.G. also happens to be the major donor to their church. Tough times in the town lead to budget problems that threaten to close down the choir.

Vi Rose has a son, Walter (Dexter Darden), who has Asperger's syndrome, and a talented, pretty and anxious-to-date teenage daughter, Olivia (Keke Palmer). G.G. has recently begun caring for her rebellious grandson, Randy (Jeremy Jordan). A romance blossoms between Olivia and Randy, who, like most of the young people in the choir, support G.G.'s push to modernize the choir's style. Each of the young people, however, has a rival suitor. Ultimately, the two women overcome their differences and steer the choir toward a slot in the annual national "Joyful Noise" choir competition.

Friday, 2 December 2011

Books featuring industrial unrest

The large public sector strike in the UK on Wednesday got me thinking of depictions of industrial unrest in literature so here’s my top 5 strike related (fiction) books, to be honest when I say top 5 I couldn’t actually think of too many more although I suspect there must be many:

1. In Dubious Battle – John Steinbeck. Fruit workers strike in California valley and the Communist's attempts to organise and lead it.
2. Germinal - Emile Zola. Coalminers strike in northern France in the 1860’s.
3. GB84 – Dave Pearce – about the year long UK miners strike 1984-85.
4. Last Exit to Brooklyn – Hubert Selby jr. Set in the 1950’s Brooklyn, the book became a cult classic because of its harsh, uncompromising look at lower class Brooklyn life in the 1950s. It is divided into 6 parts one of which is Strike about Harry, a machinist in a factory who becomes an official in the union. A closeted homosexual, he abuses his wife and gets in fights to convince himself that he is a man. He gains a temporary status and importance during the strike, and uses the union's money to entertain the local toughs and buy the company of drag queens.
5. Brideshead Revisited – EM Forster. Charles Ryder returns from France to volunteer his services during (breaking) the 1926 General Strike, delivering milk in London’s East End.

Tuesday, 29 November 2011

Gants Hill underground station

Gants Hill tube station is at the eastern end of the Central Line; located beneath a very busy roundabout it is the easternmost station to be completely underground on the London Underground network. During the Second World War the station was used as an air raid shelter and the tunnels as a munitions factory for the nearby Plessey electronics firm. The interesting part of the station though is the lower concourse which is rather beautiful and brings to mind the stations on the Moscow underground system, probably because the LU architect Charles Holden advised on the construction of the Moscow Metro.

Saturday, 26 November 2011

The Lucky Strikes - Whats Cookin', Birkbeck Taven, E11

The Lucky Strikes play country rock with some blues thrown in for good measure. Featuring, at various times, fiddle, banjo, piano, acordian as well as the usual guitar/bass/drums they whipped up a storm in the intimate music room upstairs at the Birkbeck Tavern. A great live band.

Friday, 25 November 2011

The Rum Diary: dir. Bruce Robinson

Based on a book by Hunter S Thompson the film is directed by, and screenplay written by, Bruce Robinson of Withnail and I fame - how could it go wrong? Adapted by Robinson as a tribute to Thompson I had read a review that said it was a bit muddled but personally I loved it. More conventional than you might expect given the subject but it shows the chaotic lifestyle lived by Thompson and his fellow journalists in Puerto Rico. Johnny Depp is great as Thompson's alter ego, Paul Kemp, of course but Depp's is just one of many good performances. When Thompson/Kemp drops acid for the first time his eyes are opened and his journalism becomes focused on exposing the 'bastards'.

I'm generally of the opinion that films don't need to be more than 90 mins long but this one is 2 hours and the time raced by which I think is the bottom line indicator of how good a film is (an entirely subjective measure of course).



Tuesday, 22 November 2011

Palestine (Bradt travel guide) - Sarah Irving

Monday, 21 November 2011

Mozart Unwrapped at King’s Place, London, N1

Vesperae solennes de confessore in C major, K339
Mozart’s Mass in C minor, K427 (Great Mass). 
Louise Wayman – soprano
Hannah Davey – soprano
Christine Sjölander – mezzo-soprano
Phillip Sheffield – tenor
David John Pike - baritone
Orchestra of St John’s – John Lubbock - conductor
OSJ Voices – Jeremy Jackman – choirmaster

King’s Place is a wonderful new venue in King’s Cross, London which is purpose built to enable musicians to show off their talents in acoustically perfect conditions.  I thoroughly enjoyed the experience of both the performance and the venue. 

Although the choir sang with a good full sound in the Vesperae solennes, they were note watching a bit too much and not reacting to the conductor’s instructions well enough.  The Soprano (Louise Wayman) was especially impressive and sang with great enthusiasm and feeling throughout.
The choir was more watchful of the conductor in the Mass in C but due to their small number did seem a bit weak and thin in places where they had to split into eight parts.  The two sopranos however were absolutely magnificent and quite frankly they stole the show!  They were spirited in their singing and were clearly relishing every minute of the piece. Their voices complemented each other beautifully whenever they sang together.

RB

Sunday, 20 November 2011

Frank Stella: Connections - Haunch of Venison

Frank Stella is one of the most influential American abstract artists of the last fifty years.This exhibition covers his long and diverse career from 1958 to the present day, from his early minimalist works, through the more well known polygon's from the 1960's and 70's and on to the three dimensional work made using various media such as felt, cardboard and stainless steel. A most enjoyable exhibition.




Friday, 18 November 2011

Shalom Baby - Theatre Royal, Stratford, E15

Jumping between two Jewish families in 1930's Berlin & present day New York I felt that, especially in the first half, the play was a bit predictable in the 1930's bits, the usual predictable nasty Nazi's, yes it was terrible what happened but it's been done so often before that it'd be good to see the occasional positive thing about Germany. After all at the end of the second world war Germany was in ruins and split in two and they built the more prosperous liberal democracy in Europe, a remarkable achievement. Unfortunately the success of a society built on humane values is boring so all we get is the Nazi's. I found that when the play jumpede to the present day it became more innovative and interesting.

In the second half the family is sent to a concentration camp where they all subsequently die and is without doubt moving and also more interesting with more exploration of racial issues. The modern day family however has become a bit of a cliché, a brother with crack habit, tick; gay, tick; inter-racial marriage, tick but the issues are explored in an amusing way which grabbed and kept the attention.

At times it felt as if there too much in the play but it moved along at a good tempo, it was inventive and funny. The acting was good with everyone giving good performances; all in all an enjoyable evening.

Tuesday, 15 November 2011

The Ragged Trousered Philanthropists Exhibition - Idea Store Whitechapel

12-19 November 2011

An exhibition of letters and posters from the Robert Tressell family archives forming part of The Writeidea Festival 2011, a literary festival in taking place in Tower Hamlets library's (or Idea Store's as they are called nowadays) in East London, more info at http://www.ideastore.co.uk/.

The Ragged Trousered Philamthropists is one of my favourite books, one of the great working class, socialist novels (to be fair there aren't many). I'm old enough to remember when many Labour MP's named it as the most influential book on their political beliefs. I'd like to be able to tell you that the exhibition is worth travelling great distances for, but to be honest it's very small, just a few posters and some letters from leftie celebs (Tony Benn, Tony Blair) explaining why the book is important to them. Unless you're desperate to see the exhibition your time would probably be better spent reading (or re-reading) the book.

Monday, 14 November 2011

Igor Mitoraj - Centurione I; Canary Wharf

There are three of Igor Mitoraj's works at Canary Wharf, one, Cantauro, was featured on this site on 16 August 2011. This one, like the others, combines the surreal with the antiquity of Ancient Greece and Rome.



Friday, 11 November 2011

Richard Wentworth: Globe; London, E14

Located in Westferry Road near Canary Wharf, Globe is a series of clocks each showing the time in a different world city. 

The work celebrates local industry past and present. Artist Richard Wentworth, who used to work for Henry Moore, states: 'Geographical good fortune is the source of London's success, and in their previous form the West India Docks were central to that success. 200 years later it is international time zones that dictate the ebb and flow of business life at Canary Wharf' which reminds us that globalisation is nothing new and also of the closeness of the Meridian line to Canary Wharf. I do like this but then I would as I do like a public clock.




                                    

Tuesday, 8 November 2011

Newbury Park tube station

The second in the exciting new (occasional) series 'my favourite underground stations' is Newbury Park which is situated at the eastern end of the Central Line. To be entirely accurate it's not the underground station which is the interesting part of Newbury Park station, it's the adjacent bus station. It was designed by Oliver Hill, and opened on 6 July 1949. Distinguished by the copper covered barrel-vaulted roof, the structure, now 'listed' as being of architectural merit, also won a Festival of Britain architectural award in 1951.  The rest of the station's proposed reconstruction was not completed due to lack of money - plus ca change!

Monday, 7 November 2011

Weekend: dir Andrew Haigh

A master achievement by Anndrew Haigh – The portrayal of Gay Life very true with all the ingredients, promiscuity, drugs and alcohol making a mighty fine blend of entertainment. The scenes were well cut to ensure maximum impact without being pornography and the dialogue tinged with some funny one liners kept you focused without the need for campery. All in all a real life advert, and a very good film to watch.

RL

Sunday, 6 November 2011

Gerhard Richter:Panorama - Tate Modern

Gerhard Richter was born in 1932 in Dresden, a city that was suffered terribly from allied bombing near the end of Second World War and became part of Communist East Germany. He crossed over to West Germany in 1961, settling in Dusseldorf before moving to Cologne in 1983 where he still lives and works.

This major exhibition (13 rooms) features a wide range of work from the whole of Richter's career including realist paintings based on photographs, abstracts, portraits, landscapes and history paintings ranging from paintings he did in the 1960's of bombers that looked back to the aerial bombardments of WW2 to a painting he did in 2005 based on a photograph of the attack on the World Trade Center which at first sight looks to be an abstract but after a short while the twin towers can be discerned along with the earie beauty of the picture.

I can't recommend this exhibition highly enough, do yourself a favour and go and see it if you possibly can.



Friday, 4 November 2011

I’m a Cyborg, But That’s Ok - Leytonstone Pop-Up Cinema

Dir: Chan-wook Park. (2006) South Korea

A young woman who believes she's a cyborg hears voices and harms herself while at work making radios. She's hospitalised in a mental institution where she eats nothing and talks to inanimate objects. She's Young-goon, granddaughter of a woman who thought she was a mouse (and whose dentures Young-goon wears) and a mother who's a butcher without much social grace. Young-goon comes to the attention of Il-sun, a ping-pong playing patient at the institution who makes it his goal to get her to eat.

The above is the synopsis we were given as we went into the cinema. It hints that this is an unusual film but it doesn't, and possibly can't, capture the full bizarre crazyness of it. It is set in a memtal institution I suppose but at times it does feel like you're laughing at mental illness and you ask yourself if that is right. But this is a moving film exploring human frailty as well as being, at times, very funny.


Thursday, 3 November 2011

Tacita Dean: Film - The Unilever Series

Turbine Hall, Tate Modern

Film by Tacita Dean is 11 minutes long playing on a continuous loop beamed onto the wall of the darkened Turbine Hall. It is soundless and filmed in black and white and colour in a portrait format rather than in the wide screen format that we are more used to. The images flicker from one to the next, they held my attention and have a strange beauty.

Film is not my favourite Turbine Hall commission in The Unilever Series, it doesn't move you in the way The Weather Project by Olafur Eliasson did but what does? Maybe the Rothko room at Tate. I enjoyed it as much as most others though such as Doris Salcedo's Shibboleth (the crack) and Carsten Holler's Slides, and more than others, Weiwei's Sunflower Seeds for instance didn't really grab me, possibly because I didn't get to see it until they the Tate had roped it off on health grounds (mind you locking him up was a bit harsh).


Tuesday, 1 November 2011

Ian Davenport - Poured Lines

Underneath a railway bridge on Southwark Street, near to Tate Modern is a huge drip painting by Ian Davenport. Apparently it contains over 300 colours and certainly brightens up the area, up close the subtlities of the painting really become apparent. I would guess he is influenced by Jackson Pollock and Bridget Riley.






Monday, 31 October 2011

Sham 69 - Brixton Electric

The Brixton Fridge has re-opened as the Brixton Electric and we went along to see the original Sham 69 line-up back together again wondering if they could still cut it after all this time. It didn't take long to realise they could, Jimmy Pursey prowling the stage and Dave Parsons on guitar as if it was 1977 again. All the old favourites got a run out, including raucous versions of 'Borstal Breakout', 'If The Kids Are United' and 'Hurry Up Harry' as well as newer songs 'Stockwell' and the amusing 'Asbo Sports Day'. The audience seemed to be mostly made up of 45-55 year olds wishing they were teenagers again, enjoying the nostalgia-fest.



Sunday, 30 October 2011

An evening of one act plays - Network Theatre, Waterloo

To the Network Theatre in Waterloo, situated in a railway arch so you hear the trains rumbling overhead, to see Kunst Critique contributor Sue Catten tread the boards. She plays the daughter in Trevaunance Cove and delivers a monologue that by common consent was the highlight of the night, holding the audiences attention throughout.

The plays were as follows:

Trevaunance Cove by David Gray
A man and woman meet by chance on a dramatic Cornish cliff top in 1940. With the Nazis just across the channel set ready to invade, she optimistically suggests they meet again in ten years’ time at the same place. She promises him that the world of the future will be safer, happier and free. Many decades later their daughter is drawn to the same spot. 
A play which looks at the emotional power of a landscape and the human propensity to invent stories and romanticise memories. 

Psych101 by Andy Furmage
In a psychologist's treatment room, a routine session is not all that it seems to be. Over the course of the session a battle of wits develops with both psychologist (Paula) and patient (Sarah) battling for control. Paula and Sarah play cat and mouse with the truth through a series of flashbacks, until the final shocking revelation that Paula is sleeping with Sarah's husband.

The Gold Diggers of 2035 by David Gray and cast
A deadly virus has wiped out most of the population. Those that have survived have been left without the use of their left hands – except a now demonised minority who cannot use their right hands. Everyone is still traumatised, confused about what has happened and about where the world is going –  even viewing an old film of two-handed people is shocking and controversial. Then a special visitor drops in and kick-starts the healing process.
A blackly comic and atmospheric science fiction story which looks at how groups can be victimised and questions the accepted notions of beauty.

Saturday, 29 October 2011

Aldgate East tube station

One of my favourite underground stations (and kicking off the new occasional Kunst Critique series 'My favourite London Underground stations') although it's hard to explain why. It's shabby and the yellow hue given off by the tiles reminds me of the inside of the smoking carriges back when smoking was still permitted on the underground (it seems amazing now and the smoking cars were truly disgusting). I like the view from the entrance/exit at both ends of the station looking down on the platforms, although possibly the best thing about it is it's only yards from the Whitechapel Gallery and Freedom Books, the anarchist bookshop.



Friday, 28 October 2011

Wilhelm Sasnal - Whitechapel Gallery

The show features works by the Polish artist frojm the last ten years. The first room displays Sasnal's works from 2005-11, and then you work your way backwards to his earlier paintings. He often produces paintings in a minimalist graphic style but also in an abstract or pop style, this exhibition showcases Sasnal's versatility and wide-ranging ability and is well worth a visit (especially as it's free).



Wednesday, 26 October 2011

Midnight in Paris‏, dir Woody Allen

Midnight in Paris opens with an homage to Paris with a jazz soundtrack in much the same way as Manhattan opened with scenes of New York and the Gershwin soundtrack.
The main character Gil Pender (Owen Wilson) is a would be novelist, in Paris with his finance & mother & father -in-law to be (the father-in-law is a right wing republican which enables Allen to get in possibly the first attack in a movie on the tea party). He travels back in time at night & meets characters from 1920's Paris, which leads to an amusing line before he realises what has happened when he can't believe the coincidence of meeting someone called F Scott Fitzgerald who has a wife named Zelda. He proceeds to meet all the arty types of 20's Paris including Hemingway, who is last seen drunk & trying to find someone to fight him, Gertrude Stein, Cole Porter, Picasso & Salvador Dali who is fixated on talking about the horn of a rhino.
Pender then travels back further in time to the 1890's and belle époque Paris & meets Toulouse-Lautrec. However he then realises that all this searching for a golden past just the allure of nostalgia & he should accept the present for what it is and create his own life.
I took a while to warm to Owen Wilson in the 'Woody Allen' role, I think possibly because the role was so similar to the ones Allen used to play but Wilson just isn't as funny.
The film was charming, beautiful and amusing, Allen's best, or, at least to me, most enjoyable for a long time.

Tuesday, 25 October 2011

Widnes Future Flower Sculpture

Following an international design competition in 2010, won by architects Tonkin Liu, the Widnes Future Flower is constructed of 120 galvanised steel petals around a central stem, standing 14m high and 3m in diameter.
3 mini wind turbines power 60 LED lights which reflect off the petals, with the intensity and colour determined by the wind speed and direction.
It stands between the river Mersey and the Sankey canal on a 300 acre site blighted by former chemical works but now reclaimed and remediated as a nature reserve.
It represents the combination of industry and nature on the same site, and the successful transformation of one of the many such areas in this part of the country.
The flower rises quite dramatically out of the mud flats and reed beds and, on a sunny day, makes a good mid-point on a stroll from the award-winning Catalyst Museum, through Spike Island park and upstream along the Mersey.
Unfortunately, on a bad day, it can all be just a bit too grey and, whilst in theory the lights are a lovely idea, in practice you don’t want to be in an isolated spot in Widnes, between a river and a canal, at night.
 

Monday, 24 October 2011

No one knows about Persian Cats (2009), director Bahman Ghobadi

The film portrays a surprisingly vibrant youth culture in Tehran. It is
filmed in documentary style, without government permission and hand-held
cameras. The storyline is very simple: With the help of their manager
Nadar, two young indie rockers Negar and Ashkan look for passports,
visas and band members to play at a London concert. As part of their
quest, we are shown the full breadth of the music scene in Teheran, from
rap to indie rock. The bands portrayed, who all play themselves, produce
an excellent soundtrack. Although police oppression and poverty lurk in
the background, this is basically a very optimistic film, carried by the
courage, energy, creative power and liberal attitudes of the
protagonists.


Liza S



Sunday, 23 October 2011

Degas and the Ballet: Picturing Movement

Royal Academy – until 11th December 2011 
I’m not entirely sure how well he captures the “movement” bit, I don’t know who can, but you can’t complain about misrepresentation on the “ballet” bit – there are dancers everywhere in this huge exhibition.
Degas did produce some quite stunningly beautiful paintings and sculptures, and you have to believe that almost all of them are here. For a show of this size, such a narrow focus might be a risk, but it kept my interest throughout.
There are many lesser-known pieces, brought from all over the world, and some fascinating insights into the techniques that Degas employed in an attempt to capture the movement of dance.
Actually, I don’t think he really did represent the energy of the dance itself, but I still think his work is lovely and well known pieces are around every corner.
If there is a criticism it is exactly that – Degas is so well known that it could be a little like an Athena shop (just showing my age). Personal preference would be for a little more biographical background – and maybe more passion. I’m assuming the guy had his share of trials and tribulations but maybe “angry ballet” pictures didn’t sell.
I would recommend the show without reserve, but I’ll be back for “Degas – the crack years” just to balance the sweetness.

Mark

Friday, 21 October 2011

Catch-22 - Joseph Heller

There was only one catch, and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he were sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to.

Catch -22 is 50 years old this year. It should have been called Catch-18 but the publishers asked Heller to change the number to avoid confusion with another war novel out that year, Mila 18 by Leon Uris. Heller suggested Catch-11 but because Rat Pack film Ocean's 11 was still in cinema's that wouldn't do either. Catch-17 was Heller's next offer. But no, that could confused with Staleg 17, which was also about American airmen in the Second World War. Catch-14? The publisher thought 14 wasn't a 'funny number'. They eventually settled on Catch-22, Heller liked the repetition of '2' because it gave a sense of deja vu, rather like events in his novel.

Catch-22 might have been fifth choice, but that didn't stop it entering the English language to describe any absurd choice or no-win situation. Neither did it stop it becoming a classic.

The above is adapted from a piece in Shortlist magazine whici I enjoyed. If the information is correct I'm possibly guilty of plagiarism, if it is incorrect I'm more likely to get away with it but what's better - it's a catch-22 situation.

Thursday, 20 October 2011

Josiah McElheny: The Past Was A Mirage I Had Left Far Behind

The Bloomberg Commission: Whitechapel Gallery

Josiah McElheny has transformed what was previously the reading room of the former Whitechapel Library into a hall of mirrors. Seven large-scale mirrors are arranged as multiple reflective screens for displaying abstract films which are programmed to change throughout the year.  The sculptures reflect and refract the projected film selection, saturating the whole gallery in images and light. Refracted, distorted and multiplied, the images are visually very striking.

Tuesday, 18 October 2011

Barry Miles - London Calling:A Countercultural History of London since 1945

A well written and evocative account of the London counter-culture since the Second World War written by someone who was 'there'. Miles was the manager of Indica bookshop in the sixties and has written extensively on a number of related subjects especially the Beat Generation poets. He explores, among many other things, the jazz bars of the fifties and the teddy boys and the Angry Young Men, Francis Bacon and the legendary Colony Club, the 1960's and the Summer of Love, the rise of punk and the early days of the YBA's. Highly recommended if you have an interest in cultural history.